June is Audiobook Month: Q&A with Narrator Tavia Gilbert

taviagilbertI met Tavia Gilbert last fall, when I participated in an online panel discussion about audiobook narrators and social media. She is a narrator extraordinaire, with 150+ narrations under her belt, and is a genuinely kind and funny person too. (Read more about Tavia here.)

I was lucky to be seated next to Tavia at the BEA audiobook narrator lunch in New York last month, and she graciously agreed to answer my Q&A about narration in honor of June is Audiobook Month. (This is my third in a series of three interviews with narrators.)

Q. How did you get into audiobook narration?

A: I was a listener before I was a voice actor. And I was an acting student before I was a listener. I had a long drive from Seattle, where I was in college studying theater, to visit my family in Idaho, and I thought, I guess I’ll get a book on tape for the drive. I went to my local library and checked out a novel written by Joanna Trollope, gorgeously narrated by Davina Porter, put the first cassette into the tape player of my Dodge Neon, and set out on I5. Davina was the perfect narrator to introduce me to the art-form of narration. How lucky I was! She is a masterful storyteller — delicate, strong, nuanced, precise, conversational, heart-felt, intelligent, articulate, and well-read (and these qualities show up in one’s voice and performances, absolutely). I admire her greatly. At the time, I thought, “I want to do that! I want to DO that!!” It took another seven years or so, but one acting degree, lots of work on stage and on camera, a tremendous amount of practice, a lot of classes and coaching, and a huge amount of passion and ambition later, I got my first contract. I’ve been working steadily ever since.

Q: How do you prepare for a new narration role? Do you read the whole book through to get a sense of the characters and story?

A: I read the text and get a feel for the tone, pace, rhythm, and feel of the project. I learn about the writer — who they are, what they care about, why they wrote the book. I highlight my scripts (which are all on my iPad — I don’t use paper scripts any longer) with different colors to call my attention later to points that will influence my character choices — blue for specific vocal characterization notes, like dialects or voice qualities (i.e., rough, raspy, squeaky, etc.); orange for character background (like physical description or description of the character’s personality or internal life, etc.). I mark in red every word I need to look up or ask the author to pronounce, so that I am voicing everything correctly. I mark in green every bit of information the author has provided that gives me specific performance direction (i.e., “he whispered,” “she called over her shoulder,” “he slurred, drunkenly,” etc.). Then, after researching all my vocabulary, I’m ready to record.

Q: What is your favorite book that you’ve recorded? Any books on your dream list?

A: I have many, many projects that I’ve absolutely loved recording, from science fiction to memoir to literary fiction to young adult to theology. But my latest favorite book is The Actual and Truthful Adventures of Becky Thatcher, by Jessica Lawson, for Dreamscape. It’s a young adult novel featuring the character from Mark Twain’s Tom Sawyer. But in The Actual and Truthful Adventures, 11-year-old Becky takes center stage, and she proves herself to be smart, funny, brave, loyal, fierce, sensitive, and absolutely wonderful. If I had a daughter, I think I’d like a girl just like her, so it’s going to be great fun voicing her adventures. My birthday is this month, so perhaps I’ll begin recording her story on the actual day, which would be a very fine birthday present, indeed!

And on my dream list? I’d love to record more in the Linda Barnes Carlotta Carlyle series, because the series is fantastic and I adore Carlotta, and Little Women, the Little House on the Prairie series, and Anne of Green Gables, because they meant so much to me as a child.

Q: Where do you do your recording?

Much of the time I’m working in my studio in my Brooklyn apartment, but occasionally I’ll work in a recording studio in Manhattan, depending on the project. My booth is a double-insulated WhisperRoom in an office on the second floor of a brownstone. It’s awfully hot in the summer, but I’ve heard that one of the biggest contributors to job satisfaction is a short commute. At no more than ten seconds between the living room and my studio, my commute cannot be beat. (It doesn’t leave me a lot of travel time for audiobook listening, however. I have to wait until I do housework or jump on my bike to put in my earbuds.)

Q: What is your favorite genre for narrating?

A: Whatever is beautifully written makes me very, very happy, but if I was forced to choose a favorite, I think a fantastically written mystery can’t be beat. I don’t get enough of it, and I’m always really excited when a great mystery comes my way. I really enjoy tough, wise, female leads and wonderful supporting characters; compelling suspense; and surprising twists and turns. I also really love narrating literary fiction, memoir, and children’s and young adult work. See!? I can’t choose! If the writer is skilled and compassionate and thoughtful, has a clear vision and voice, and tells a great story, how could I ever possibly choose?

Q: How much interaction, if any, do you have with the author while you’re recording?

A: More often than not, I connect with the writer to some degree. With some I may just exchange a quick Facebook message. With some I may have a phone call. With some writers I’ll sit down over lunch and a glass of wine and then we’ll email and call and text and become lifelong friends. It’s been very surprising and very meaningful to have developed a few close friendships with writers whose books I’ve narrated.

Q: What do you like to read in your spare time?

A: Spare time? What spare time? I kid… kind of. I really have so much to read all the time, so many books to prep and record, that it’s very difficult to get in any reading solely for pleasure or personal enrichment. But I can get it in in fits and starts, or by listening to an audiobook during housework or while I’m exercising. Almost everything I read for myself is non-fiction, mostly memoir, though I do sometimes read literary fiction. On audio I listen to whatever my favorite narrators are performing, whether that’s contemporary fiction, a classic, philosophy, or memoir.

Q: Anything else you would like my readers to know about audiobooks?

A: I suppose I’ll take this opportunity to ask that no one ever ask a narrator again, “Do you also act?” Audiobook narrators are acting every time they sit behind the mic. The art-form of narration is specialized acting performance. Just as we would if we were in a play or a film, we’re developing character, playing our objectives, making specific acting choices to bring the text to life. We are voice actors, and if you listen to an audiobook, you’re listening to an actor perform just for you! How awesome is that?

Thank you, Tavia!

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Q&A With Audiobook Narrator Patrick Lawlor

Patrick-LawlorI have had the pleasure of meeting audiobook narrator Patrick Lawlor twice, at BEA 2013 and 2014. He’s an incredibly friendly, interesting guy who has recorded over 300 audiobooks in just about every genre. He has been an Audie Finalist 3 times, and has received several AudioFile Earphones Awards. He has won one Publishers Weekly Listen-Up Award, Numerous Library Journal and Kirkus Starred Audio Reviews, Multiple Editors Pick, Top 10 and Year’s Best Lists.

Patrick has helped fuel my obsession with audiobook narrators by answering my questions here on EDIWTB as part of June is Audiobook Month. Thanks, Patrick! You can follow Patrick on Facebook here.

Q: How did you get into audiobook narration?

A: I started out as an actor, primarily on stage. Actually, my MFA is in Classical Acting, primarily Shakespeare. I have done all I can to make a living as an actor, and part of that has been expanding my definition of what it means to be a working actor. Subsequently, over the years, I have done stage, film, television, radio plays, theme parks, renaissance faires, murder mystery weekends, corporate training projects, industrial films. I’ve been an actor, director, stuntman, fight choreographer, teacher, tour guide, dancer, pub singer, bad mime, and yes, waiter, bartender and LOTS of file clerk gigs.

I was very lucky to get into audiobooks at a time when there were a lot less people trying to do this for a living. The Audio Publishers’ Association held a yearly job market, which was, in essence, a chance for prospective narrators to audition for a bunch of publishers at once, and then have several opportunities to socialize with them and start to get to know them. I was able to make several lasting relationships and got my first gig halfway through the day! I did 5 books my first year, 9 my second year, and about 12 my third. Since then, I average between 25 and 30 books a year. This has become my full-time job and I couldn’t be happier about it. I still do theatre when I can, but mainly I record. I have a studio in my home in Milwaukee, Wisconsin, and these days, record most of my work there, though I still travel to studios all over the country.

Q: How do you prepare for a new narration role? Do you read the whole book through to get a sense of the characters and story?

A: As far as my preparation is concerned, I have a fairly flexible routine. Each book is unique and presents unique challenges. Some have a lot of technical, foreign or invented words that need pronunciations. Some need a lot of character voices and/or accents or dialects. Sometimes I have to learn a whole way of talking, for instance if I’m reading military nonfiction, business books  or any number of things I don’t personally know about. Nothing is worse than listening to an authority who obviously doesn’t really know what he’s talking about! Generally, though, I always read the book (well, almost always. Sometimes time prohibits a pre-read). I make a list of all words I don’t know how to say. You’d be surprised how many everyday words you think you know that you’ve never actually said aloud. I pay special attention to real people’s names, regional pronunciations, odd words and technical words and phrases. If possible, I talk to the author to get her/his take on pronunciations and anything else they might find important. If it is a nonfiction, I then start to record. I normally do not do any distinct voices for nonfiction, unless they are specifically called for or the person has a famous voice. If it is fiction, this is where the fun starts. Character work! I come up with voices, accents and dialects for every character in the book. I draw as much as possible from clues in the text – accent, stutter, quiet, fast talker, etc. Once this is done, I hit the studio!

Q: What is your favorite genre for narrating?

A: Honestly, I love all genres. I really like the diversity of the material I get to read. If I had to pick a favorite genre, though, I’d have to say its a tie between Crime Thrillers and Young Audience books. Oh, and Dog Books! I LOVE Dog Books! And Romance. I’ve been doing a lot more of that lately and really enjoying it! Oh, heck! I like most of the stuff I read! Which is a good thing, because what I read for work is pretty much all I read. I don’t really get the opportunity to read much outside of what I’m recording, so I’m lucky I enjoy it! Mostly, when I do get the chance to look at outside stuff, it’s Runner’s World magazine, or stuff like the Harry Potter books. (Which should tell you how long its been since I read as a leisure activity!) My 13 year old niece is after me to read the Divergent books, so I foresee those will be next.

Q: How much interaction, if any, do you have with the author while you’re recording?

A: I really value interaction with the authors whose work I record. Unfortunately, I don’t get to do it enough. Whenever I do, I get fantastic insight into the work, and am able to craft my work to better serve what they have done. I feel that, with very few exceptions, narrators and authors should do everything they can to develop a working relationship. It only helps the work. This is especially true when dealing with a series. I have one author that I have worked with now for 10 years, recording over 20 books. Her name is Suzanne Brockmann and she writes mainly Romance. But FUN, action-adventure, Navy SEAL, high-octane Romance. Lots of humor, action and really good writing. They are the most fun books I do. I look forward to working on them. Generally, I read them with a female partner, as Suz writes in a deep POV style that lends itself to dual reads. I have had great partners in these reads, mainly Melanie Ewbank, but also Renee Raudman and one book with Angela Dawe! With that kind of talent, really, all I have to do is show up! Suz and I hit it off right away, and over the years we have gotten to the point where we are in each others’ heads. I know what she is going to say as I’m reading, and she knows how I’m going to sound as she’s writing! Mel and Renee and I have bonded with Suz in a way that is remarkable and fairly rare. It has gotten to the point where she knows us and writes characters specifically for us to read.  We have developed a shorthand that makes our jobs much easier. There is always a real team feel when we do a Suzanne Brockmann book. In addition, Suz and I have gotten to be friends, though I just met her face-to-face for the first time last month in New York. Our relationship allows us to cut to the chase when we’re working. I like to think we both do better work because of it. I know it’s more fun!

Q: Anything else you would like my readers to know about you?

A: What else can I tell you about myself? I have won 4 Audiofile Earphones Awards and a Publishers Weekly Listen-Up Award. I have been an Audie Award Finalist 3 times. I have several starred reviews from Library Journal and Publishers Weekly. I have been featured in numerous Best Of, Year’s Best, Editor’s choice, Fan Favorite and other similar lists. I am the only working male audiobook narrator in Milwaukee, Wisconsin. (There ARE two female narrators, but one of them lives in a suburb, and the other does mostly theatre). I’m happily married to the very talented filmmaker, Karen Erbach (check out the Girl Scouts of America’s 100th Anniversary commercial, To Get Her There. It still airs all over the country! I’m a huge fan!) We have a fantastic 4 year-old American Staffordshire (Pittie) Mix named Charlie, who is, quite possibly, the best dog in the world, and we foster a 1 year old Boxer/Pit mix named Billy who is… stinking cute and trying really hard to be a good dog. To relax in our spare time, we run marathons.

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32 CANDLES by Ernessa T. Carter


I just finished a book and I really don’t know where to start with the review. The book was 32 Candles by Ernessa T. Carter. It’s kind of an odd book, which is why I am having trouble figuring out what to write.

Here are some things about 32 Candles to get started:

  • It is about a poor African-American girl named Davidia growing up in Mississippi with a horribly abusive mother who sleeps with the men of their small town for a living.
  • As a result of her mother’s abuse and bullying by her classmates, Davidia stops speaking entirely.
  • Davidia is obsessed with John Hughes movies, and longs for a “Molly Ringwald ending” for herself.
  • Davidia is also obsessed with the cutest, richest boy in school, who barely knows she’s alive.
  • Davidia escapes from Mississippi before end of high school and moves to LA, where she goes by Davie.
  • Davie’s life in LA turns out to be pretty good, but her high school demons revisit her several years later.
  • Davie, who seems sweet and innocent, really isn’t, at least not all of the time.
  • Does Davie get her Molly Ringwald ending? We don’t find out until the end.

32 Candles sounds like chick lit, I know, but it’s more serious than that. It’s twisty and funny and most of the time unpredictable. Davie is frustratingly flawed, but she’s also entertaining and compelling. Carter’s cast of characters is quirky without being stock players. She clearly knows LA and show business, and portrays a realistic (to me, anyway) view of life as a struggling actor and the fickle nature of fame and success.

I enjoyed reading 32 Candles. There is enough good here that it’s a worthwhile read. It didn’t hang together as cohesively as I’d have liked, I think because it feels like many books in one. There’s the sweet chick lit side, and the darker side of Davie, and then the improbable overlay of the John Hughes canon, which Carter threads throughout the book. As much as I love John Hughes movies (and Sixteen Candles in particular), the references felt forced. Maybe it’s because I found Davie’s love of Hughes’ lily-white movies a little hard to believe. Would a girl with her rough upbringing really have related to, or aspired to be, the wealthy suburban white kids from Shermer High or Jake Ryan’s post-dance party? I’m not sure.

I listened to 32 Candles on audio. It was performed by Adenrele Ojo, and she did a wonderful job of inhabiting Davie. I can’t imagine Davie with a different voice – Ojo conveyed her tough side as well as her vulnerability with equal passion. The audio went quickly and I felt invested and involved the whole time.

I guess I got over my writer’s block about 32 Candles. It’s an odd book, yes, but it’s still a good read.

Depressing-0-Meter: 5 out of 10 (due to Davie’s bleak childhood)

 

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SO MUCH A PART OF YOU by Polly Dugan


This almost never happens here on EDIWTB, where I am not particularly organized and rarely plan ahead, but I actually finished a book the night before it came out! Shocking! The book is So Much A Part Of You, by Polly Dugan, and it went on sale today.

So Much A Part Of You is a collection of loosely interconnected stories that span from the Depression to the present. Dugan’s stories focus on families and relationships, and particularly how the relationships we develop in our formative years continue to play a big role in our lives as we age. I am not always a big fan of short stories, because I sometimes find them unsatisfying, but I really liked these stories. The threads of connection between the stories (in the form of overlapping characters and one that recurred through most of the book) helped make this collection more cohesive than others that I’ve read.

I like Dugan’s writing style, which is spare and unemotional. The book, however, is full of emotion. Her characters experience love, loss, grief and anxiety, and she conveys those emotions beautifully through their actions and dialogue. I especially liked the college and post-college stories, which accurately captured those confusing years of loneliness and feeling untethered. Some of the parents in So Much A Part Of You are pretty awful, and the characters make mistakes and are often full of regret. No one here is perfect, and there is no neat bow at the end of the book. But isn’t that how life is? I nodded in recognition throughout this book, marveling at Dugan’s ability to capture intense and familiar emotions in such fleeting vignettes.

Dugan has a novel coming out in 2015, which I can’t wait for. I think that she will really take off in the longer format. Until then, tide yourself over with this collection.

Depressing-O-Meter: 7 out of 10, thanks to deaths, abortion, and euthanizations at an animal shelter.

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Q&A With Audiobook Narrator Therese Plummer

Last week, I was in NY for BEA 2014. One of my favorite parts of BEA is the annual audiobook narrator-blogger lunch. Last year was my first one, and I was very excited to go again this year. It’s an amazing opportunity to sit down with a bunch of very talented narrators and talk to them about the process of bringing a book to life via audio. I was in heaven.

Therese

Therese Plummer (r) and me (l) at the narrator/blogger lunch at BEA 2014

I met a number of new narrators this year and also got to catch up with some friends who I met last year. At one point, I told Tavia Gilbert (who will be interviewed on EDIWTB later this month) that I had written a Top 10 Best Audiobooks post last June for June is Audiobook Month (JIAM). I read her the list of audiobooks, and she told me that one of the narrators – Therese Plummer, who narrated Faith by Jennifer Haigh – was sitting down at the other end of the table. I totally geeked out and had to go down to meet Therese in person. We hit it off instantly and bonded over our love of Jennifer Haigh. A week later, we’re connected on social media and she has answered a Q&A on EDIWTB.

So here is the Q&A with Therese, who is a FANTASTIC narrator. You can really get a sense of why she loves what she does, and why she’s so good at it. There is a lot of dedication there to making an emotional connection with the material and being faithful to the author’s story. I will definitely be seeking out more of Therese’s work.

Q: How did you get into audiobook narration?

A; I took a class with Robin Miles about 8-9 years ago and auditioned for something with BBC at what was then Talking Books in midtown Manhattan. Mike Charzuk, Executive Producer at Audible, Inc., heard my audition and called me at my day job. I was working as an assistant in a financial firm to pay my bills while auditioning and trying to make it as an actress. Mike mentioned hearing my audition and wanted to know if I was willing to come in and audition for him as a narrator? I had no idea who Audible was or what he was asking me but I said yes of course I will come and audition. I read and landed two contracts with Audible. I took a week’s vacation from my day job and that week I worked every day recording my first Audiobook, Susan Mallery’s “Delicious.” At night I was rehearsing for an off-off Broadway show. I was in heaven and knew this what was I was supposed to be doing. Working as an actress! The day I returned to my day job my boss called me into his office and said they had to let me go as there was not enough work to justify my position. 5pm that same day Mike called me and asked if I was available to start narrating earlier as his other narrator could not finish her contract due to pregnancy. I said, “Yes that should work out just fine, thank you so much!” Since then I have been so blessed to work for so many amazing publishers around NYC.

Q: How do you prepare for a new narration role? Do you read the whole book through to get a sense of the characters and story?

I absolutely do. I have to. I read the entire story and I learn about my characters and arcs and tones and moods and flow of the story. I go back and underline in different colors my characters so my brain registers once I am in the booth whose voice is coming up. I record off of an iPad these days and I use a program called iAnnotate that is a godsend in prepping my stories. The author tells me everything I need to know. I do not have to reinvent anything. My job is to honor the text and bring his/her words to life through my acting. It is such a gift to do this.

Q: What is your favorite book that you’ve recorded? Any books on your dream list?

A: My favorite book I recorded to date was Faith by Jennifer Haigh. I am not sure if it was because I grew up Irish Catholic and found the entire story so completely fascinating but I was able to connect to Jennifer’s characters in such an intimate way that I felt like I was in the living room telling this story to my sisters. It felt like family. She is a superb storyteller and my job felt so easy as she gave me such descriptive and palpable characters that to bring them to life was a joy for me. I told my producer, Paula Parker, the last day of recording that I didn’t want it to end. It is my Mom and Dad’s favorite audiobook to date. That makes me happy!

I’ve always wanted to record To Kill a Mockingbird or One Flew Over The Cuckoo’s Nest.

Q. Where do you do your recording?

A: When I am working for Audible I travel to Newark, NJ to record in their booths. I record in NYC for Recorded Books, Harper, Penguin and Hachette.

Q: What is your favorite genre for narrating?

I actually LOVE YA books! Julie Kagawa’s vampire series that I have been so lucky to narrate rocks my world with every book. I don’t know if it’s because I am emotionally 16 on a good day or what but I love those characters and stories so much! I also love Literary Fiction. Besides Faith my other favorites have been Return To Me by Justina Chen, Tender is the Night by F. Scott Fitzgerald, Want Not by Jonathan Miles and The Family Fang by Kevin Wilson. And I will admit I adore recording Romance. I have been working on a series for Robyn Carr for the last five years. I was lucky enough to do her Virgin River and Thunder Point series and I literally built this town in Northern California with each book adding more and more characters until I literally felt like they were my family.

Amazing!

Q: How much interaction, if any, do you have with the author while you’re recording?

I have adopted Robyn Carr as a second Mom and she has accepted. She and I were able to do an event together at the Mid-Winter Library Conference in Seattle for Recorded Books and it was amazing. I could sit and talk with her for days. She is literally the sweetest, nicest and funniest woman I have ever met. Recording Justina Chen’s Return To Me was another incredible experience for me. She was able to call us with input during the recording and was just so excitedI was narrating all I wanted to do when the book was over was give her a hug. The story was incredible. I realized she was in Seattle and I reached out to her the weekend I attended the conference with Robyn Carr asking her if she wanted to get tea. She said I am going to throw my book release party the weekend you are in town and would you be my guest of honor and read a section of the book? Well after getting off the floor I shrieked ”Yes of course!”. The book party was hosted in a bookstore and was packed with all of the people she had based the characters in her book off of. As I realized this I became very emotional. I said to her and the audience when I was finished reading, “Thank you for allowing me such an intimate seat on your life story. I realize at this moment why what we do as writers and narrators is so powerful.” That day shifted something in me about the work I do on such a fundamental level. What a gift it is to tell people’s stories and be a part of their healing journeys. I felt connected to the human race in such a deep way.

I will reach out to authors especially when working on their book has changed me in some way. I sent Jennifer Haigh and Jonathan Miles emails thanking them for choosing me to record their books and shared with them what the experience was like for me. They were both very grateful and gracious.

Q: What do you like to read in your spare time?

Ha! The joke is that I have started seven different books five years ago and can’t finish any of them because of needing to prep my Audio books. But on my nightstand right now is Her by Christa Parravani. I read a few pages before bed each night.

Q: Anything else you would like my readers to know about audiobooks?

I always heard my mom talk about audiobooks and how amazing they were and I was like yeah yeah just read the book! Little did I know how transformative a story can become with the right voice narrating it. I like to think I am able to bring some joy to someone listening to my narration. That service is why I do what I do but also because there are so many great stories to be told. It is the oldest form of entertainment and I am blessed and lucky to do it almost every day.

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June Is Audiobook Month 2014

June is a great month for many reasons, but one of my favorites is that it is Audiobook Month! A whole month to celebrate the wonderful narrators and audio productions of equally wonderful books.

I will be doing a few things here on EDIWTB to mark June is Audiobook Month (JIAM). Last year, I ran a series of three interviews with audiobook narrators. I am lucky to be able to do it again this year. Watch the blog for three Q&A posts with Therese Plummer, Tavia Gilbert, and Patrick Lawlor. I’d like to thank them in advance for taking the time to answer my questions – I have a lot of them!

Summer Shorts June is Audiobook MonthI am also participating in a blog post series called Summer Shorts. In this June series, a new short story is posted every day on a different blog, featuring an audiobook narrator reading the work of one of his or her favorite authors. Readers can listen to a different short story for free each day, and buy the whole collection from Tantor (with 20 additional bonus tracks) for $9.99 (effective through June 30). Proceeds from the purchases will support ProLiteracy, a literacy outreach and advocacy organization.

Here is the full schedule of shorts, as well as the blogs on which they will be available. On June 29, I will be featuring a reading of Susanna Daniel’s Sharks and Seals by Karen White, a longtime friend of EDIWTB and one of the narrators I interviewed for JIAM last year. You can read more about Summer Shorts here. Thanks to Xe Sands and Karen White for organizing Summer Shorts and inviting me to participate!

This month I will also update my Top 10 Best Audiobooks list which I posted last June.

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BEA 2014 Wrap-Up

I spent three glorious days in NY last week for Book Expo America 2014 (BEA).

This year, I focused on learning about new books (mostly fiction) at a number of panels held over the course of Thursday and Friday, as well as on obtaining copies of a select few galleys. I discovered some unknown authors by wandering the floor and checking out galley stacks and author signings. I also attended some fun off-campus events, such as the HarperCollins 2014 Fall Preview and Blogger Party, the Bloggers Recommend happy hour, and the annual audiobook narrator-blogger lunch (which I LOVE going to – more on that later this week).

Here are some of my impressions of BEA 2014, as well as some photos:

1. There are a LOT of exciting books coming out in the next few months. I picked up galleys from a lot of big-name authors that I have enjoyed in the past – Sue Miller, Jane Smiley, Ann Hood – and also heard some very passionate editors rave about upcoming books from new authors. These new authors are edgy and have written about difficult topics, which I found encouraging. It shows that fiction is alive and innovating. 

2. Celebrity memoirs are as big as ever. There were huge lines for author signings by such stars as Neil Patrick Harris (who wasn’t even signing a book!), Angelica Huston, and Billy Idol, not to mention the ticketed author events that also featured celebrities. (I didn’t wait in these lines.) I also attended a panel discussion with Jonathan Tropper, who adapted his novel This Is Where I Leave You for the big screen, along with the movie’s director Shawn Levy and stars Tina Fey and Jason Bateman. It was a huge event, with hundreds of people turning out. Tropper spent a lot of time talking about the fascinating process of adapting a novel into a screenplay.

3. But the really long lines were for YA authors. The longest line I saw during BEA was for a signing by Lois Lowry. RJ Palacio also had a huge line for a signed tote bag. There were many other lines for authors I’ve never heard of, and I presume that most of them were YA.

4. E-readers might be big, but galleys moved quickly. I saw stacks of books one minute that were gone 15 minutes later.

5. Big news for audiobooks: a new format that features MP3 files and that allows a whole book to be saved onto a single disc. This will make audiobook production cheaper and faster, which should benefit the publishing industry and listeners alike.

6. Readers – whether they are bloggers, librarians, educators, or industry insiders – are as passionate as ever. Everyone seemed very excited to be at BEA, and were enthusiastic about the authors they interacted with and the books they collected.

And now the pics!

Signed copies:

photo 1Unsigned fiction(mostly):

photo 2

 

Books from the HarperCollins 2014 Fall preview and blogger party:

photo 3Books I picked up for friends and other odds and ends:

photo 4And books for my kids:

photo 5

Here are some authors who signed my books:

Jane Smiley:

photo 1 (5)

 

Ann Hood:

photo 2 copy

Sue Miller:

photo 5 copy

BJ Novak:

photo 3 (1)

Jeff Kinney:

photo 1 copy

RJ Palacio:

photo 4 copy

I am already excited for next year!

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